Mark Hearld has made an exciting series of slipware plates and tiles in collaboration with the great studio potter Clive Bowen.
Mark Hearld has an unbridled passion for making, and his extraordinary creativity leads to collaborative projects with artists and traditional craft makers across multiple disciplines. Collage is central to Mark Hearld’s artistic output, not only as a medium but as a process that is firmly rooted in twentieth-century art. Collage was a technique used by Matisse, Picasso and John Piper to introduce abstraction into their images. Mark similarly uses this means of abstraction, combined with his traditional academic training and careful observation, to inform his creativity.
Mark Hearld studied illustration at the Glasgow School of Art before completing an MA in Natural History Illustration at the Royal College of Art, London. He lives and works from his eclectic and iconic home in York.
The Gallery has enjoyed Mark’s theatrical, creative, immersive world ever since Mark Hearld & Friends debuted in 2009. He is also a great believer in artist collaboration, and he regularly works with other artisan printmakers and creators. Hearld takes inspiration from the natural world, particularly British flora and fauna, the fox and chicken, hedgerow, and songbird. He works across several mediums; his paintings, collage, printmaking, sculpture, ceramics, designs and motifs are drawn from a lifetime of looking at pattern books, popular prints, primitive art and the poetry of Blake.
Highlights of his remarkable career include The Lumber Room held at York Art Gallery from 2015-2017 where Mark curated a room of miscellaneous stored objects and artefacts and in 2018, Mark re-displayed the British Folk Art collection at Compton Verney. York Sculpture Park celebrated Hearld’s career in 2021 which included several large scale sculptures, flat weave tapestry and papercuts.
To view prints by this artist please click here.
The form and function of my work can be traced back to centuries-old pots such as English medieval jugs and early Tamba ware from Japan.
Clive Bowen studied painting and etching at Cardiff Art School before taking up an apprenticeship with Michael Leach at Yelland Pottery in North Devon from 1965 until 1969. In 1971 he bought a small agricultural property at Shebbear, near Holsworthy in North Devon and set up a workshop in the former farm outhouses. His pots are made in the local Fremington clay, a red earthenware clay in use for centuries for traditional North Devon wares. They are almost all wheel thrown with the exception of a few hand-pressed dishes.
Public collections include:
Victoria & Albert Museum, London; National Museum of Wales, Cardiff; Ulster Museum, Belfast; Crafts Council Collection, London; York City Art Gallery; Stoke on Trent City Museum; Winnipeg Art Gallery, Canada; Mingeikan, Tokyo; Mashiko Museum of Ceramics, Japan; Fitzwilliam Museum, Cambridge.