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Born in North Carolina, Kate Downie studied at Grays School of Art in Aberdeen before travel and residencies took her to the United States, England, Amsterdam and Paris. Over the past two decades Downie has established herself as one of Scotland’s most prominent artists. Her skill not restricted to painting alone, she works across a diverse range of artistic medium. One recent project for Pittenweem Arts Festival saw Kate juxtapose large colour-field prints with architectural charcoal drawings with extraordinary results. The majority of her work is defined by geography, and the artist’s response to the landscape or subject in front of her. Kate’s constant search for new challenges and inspirations has seen her set up studios in such diverse places as a brewery, an oil rig, and for her most recent show an abandoned Hydroponicum. Her work is held in many public collections including Glasgow Gallery of Modern Art; Kelvingrove, Art Gallery: Reitveld Kunst Academie, Amsterdam; the BBC and Edinburgh Council.
Kate Downie was born in North Carolina but raised from the age of 7 in Scotland. She studied at Gray’s School of Art in Aberdeen before travel and residencies took her to the United States, England, Amsterdam, Paris and Japan. Her constant search for new challenges and inspirations has seen her set up studios in such diverse places as a brewery, an oil rig, and an abandoned Hydroponicum.
As a Landscape painter her subject matter is often the man-made rather than the natural, but it is defined by good draughtsmanship and a sense of movement.
‘One of my creative concerns is to define these spaces between buildings rather than the buildings themselves. The object lesson for me is the witnessing and the drawing of these nonplaces which are also, by definition, public arenas of cumulative activity. My job as an artist is to accommodate these actions in our contemporary lives, and to find the poetry within.’
– Kate Downie
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